Peter's music has been heard on hundreds of radio stations and has been on SiriusXM rotation for over a decade. As a multi-award winning artist, Peter's music has also topped Billboard's Classical and Crossover charts.
For Captain Beefheart, a maverick-artist-musician, who was not just a complicated man but highly demanding and by most accounts very difficult to deal with. It was appropriate that Beefheart's Magic Band was to prominently feature a bassist as accomplished, bold and adventurous as Mark Boston, a.k.a Rockette Morton.
Born on July 14, 1949, Mark began life in the small town of Salem, Illinois before his family moved out to Lancaster, California when he was 13. With a bassist and steel player for a father, Mark gained a great appreciation for country and bluegrass along with the R&B and rock’n’roll that was on the rise. Within a year of the Boston clan moving out to Lancaster, Mark befriended a young guitarist by the name of Bill Harkleroad.
At a time when the bass guitar was seen as the dummy’s instrument, Mark left quite an impression on Bill with his talent and equipment, leading to the two joining forces to form BC And The Cavemen. With Mark’s mother sewing some outfits for them, the band developed a decent reputation, and the two would also play in a band with Jeff Cotton and John French known as Blues In A Bottle. And then a local hero came calling. Or perhaps screaming and howling!
In that same Lancaster scene, Captain Beefheart And His Magic Band were making a big splash as a top flight blues rock outfit, with 'Safe As Milk' having made a strong impression and 'Strictly Personal' being a strong record as well. But even with a sound that was speaking to people, one that perhaps would have been a more pragmatic one as far as a career goes, Don Van Vliet just wasn’t meant for conventional norms.
The Captain had all these ideas, ideas far too out for many, including early members. He needed new musicians, younger and more impressionable ones that wouldn’t object to his ideas. Already having John and Jeff in the band, now 'Drumbo' and Antennae Jimmy Semens, he then recruited Bill, dubbed Zoot Horn Rollo. And on bass, he found Mark Boston, who took the name Rockette Morton due to his love of outer space. And the classic Magic Band was born.
Trout Mask Replica (TMR) wasn’t an easy album to make. Yet even with all the bizarre ideas and the difficulty in preparing those ideas into music, Mark was a total champ through it all. The Beefheart sound is one of great dichotomy, and Mark can capture all of it. He’s so tight and precise, and yet there’s this raw grit and dirt. He’s highly intelligent and sophisticated in his playing, and yet there remains this childlike sense of wonder and curiosity.
He takes after all the great traditional American music, yet out into a whole other realm of time and space. The bass traditionally serves the role of grounding the harmony while locking in with the drums to provide a foundation, yet Mark’s playing often serves as another melody line in the music. In a lot of ways, he’s like a third guitarist that just happens to be playing bass.
The TMR on its own is a legacy few can compete with, and yet Mark contributed to more classic records like "Lick My Decals Off, Baby", "The Spotlight Kid", and "Clear Spot". There on Decals, you get the equivalent of Godfather II. With Mother Art Tripp on marimba and drums rather Jeff on guitar, you get an album that captures a great deal of TMR's brilliance while being brilliant in its own unique way.
Then you get to 'The Spotlight Kid', with bass godliness on cuts like “When It Blows Its Stack”, resulting in a bass solo that often opened shows, yet Mark proves himself just as talented on traditional in-the-pocket styles as demonstrated on cuts like “I’m Gonna Booglarize You Baby”. And that thing about bassists being failed guitarists? In the 'Clear Spot', with Mark taking guitar and the rhythm section now being a mini Mothers reunion of Art and Roy Estrada, yet nobody missed a beat. Throughout the record, Bill and Mark’s kinship really shines, their weaving right there with what Bill and Jeff had done, or what was done with Alex St Clair early on.
Of course, dealing with Don was quite a task of its own, so it’s inevitable that Mark and the others would all end up departing by 1974. He and Bill soon formed a group of their own called Mallard. For two albums, the first with Art and having some writing help from John French 'Drumbo', Mallard showed itself a pretty decent blues rock outfit. And giving that it was Mark who finally had a chance to create something that was truly his own rather than helping some achieve their vision, it’s understandably the work that he takes pride in. And over time, he’d end up making a solo record and create some cool artwork of his own, as well as performing with 'Drumbo' in the reformed Magic Band, allowing the music to live and breathe on stage again.
If you’re a Beefheart fan, how can you not love Rockette Morton? Not only a uniquely talented bass player but such a great stage presence full of joy, along with a lovably quirky personality and such a sweet guy. Easily one of my favorites from Magic Band members, you can’t help but smile when thinking about Mark. He’s been through some rough weather, including his health scares, and yet he’s still the same Mark we’ve known and loved all the years.
Happy birthday Mark! Thank you for all you have given us and look forward to more.
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Patrick Moore is a freehand drawing artist and freelance music writer.
Komagata Maru apology by Prime Minister Justin Trudeau for the 1914 incident in which 376 Indians were returned from Vancouver
News East West TORONTO: Canadian Prime Minister Justin Trudeau put a closure on the 102-year-old Komagata Maru issue on Wednesday by apologizing to the Sikh community for the 1914 incident in the House of Commons in Ottawa. The Komagata Maru was a Japanese ship that was hired by Malaysia-based rich Sikh Baba Gurdit Singh to bring 376 Indians, mostly Sikhs,to Canada to challenge the racist laws of the time in 1914. Since both India and Canada were British dominions at that time, the Indians should have the right to enter Canada. But the Canadian government of that time put in place various clauses in laws to bar Indians from entering Canada. The Komagata Maru, which entered Vancouver harbour on May 23, 1914, was forcibly sent back to India after two months. On reaching Budge Budge in Calcutta in September 1914, the passengers were subjected to firing by British Indian police in which 19 of them were killed. Apologizing in the House of Commons for the incident, Trudeau said the passengers of the Komagata Maru “chose Canada. And when they arrived here, they were rejected. “Canada’s government was, without question, responsible for the laws that prevented these passengers from immigrating peacefully and securely. For that, and for every regrettable consequence that followed, we are sorry.’’ “Today – while knowing that no words can fully erase the pain and suffering experienced by the passengers – I offer a sincere apology on behalf of the government for the laws in force at the time that allowed Canada to be indifferent to the plight of the passengers of the Komagata Maru.” The Prime Minister said, “The Komagata Maru incident is a stain on Canada’s past. But the history of our country is one in which we constantly challenge ourselves, and each other, to extend our personal definitions of who is a Canadian. We have learned, and will continue to learn, from the mistakes of our past. We must make sure to never repeat them.” Former prime minister Stephen Harper had apologized for the incident in 2008 at a Punjabi event in Surrey in 2008. But leaders of the Indo-Canadian community have been insisting on apology in the nation’s parliament. On his facebook page, Trudeau said, “On May 23, 1914, the Komagata Maru arrived in Vancouver with 376 passengers of Sikh, Muslim and Hindu origin. Those passengers chose Canada. And when they arrived here, they were rejected. No words can fully erase the pain and suffering of the victims and their descendants. When we make mistakes, we must apologize, and recommit ourselves to doing better.’’ Advocacy group World Sikh Organization welcomed the apology and wants the Komagata chapter to included school curricula across Canada. In a statement, World Sikh Organization president Mukhbir Singh said, “Prime Minster Trudeau’s apology in the House of Commons today is a historic moment for Canadian Sikhs and recognizes the dark chapter the Komagata Maru tragedy marks in Canada’s history. While Canada is today a model of multiculturalism and inclusivity, it is important for us to understand that it was not always. We believe it is essential that the Komagata Maru incident, as well as the anti-immigrant sentiment that fueled this incident, be made a part of our provincial education curricula. It is important that we as Canadians teach our youngsters to confront issues such as racism and xenophobia and learning about the Komagata Maru incident is an excellent opportunity to do so.”
