Peter's music has been heard on hundreds of radio stations and has been on SiriusXM rotation for over a decade. As a multi-award winning artist, Peter's music has also topped Billboard's Classical and Crossover charts.
For Captain Beefheart, a maverick-artist-musician, who was not just a complicated man but highly demanding and by most accounts very difficult to deal with. It was appropriate that Beefheart's Magic Band was to prominently feature a bassist as accomplished, bold and adventurous as Mark Boston, a.k.a Rockette Morton.
Born on July 14, 1949, Mark began life in the small town of Salem, Illinois before his family moved out to Lancaster, California when he was 13. With a bassist and steel player for a father, Mark gained a great appreciation for country and bluegrass along with the R&B and rock’n’roll that was on the rise. Within a year of the Boston clan moving out to Lancaster, Mark befriended a young guitarist by the name of Bill Harkleroad.
At a time when the bass guitar was seen as the dummy’s instrument, Mark left quite an impression on Bill with his talent and equipment, leading to the two joining forces to form BC And The Cavemen. With Mark’s mother sewing some outfits for them, the band developed a decent reputation, and the two would also play in a band with Jeff Cotton and John French known as Blues In A Bottle. And then a local hero came calling. Or perhaps screaming and howling!
In that same Lancaster scene, Captain Beefheart And His Magic Band were making a big splash as a top flight blues rock outfit, with 'Safe As Milk' having made a strong impression and 'Strictly Personal' being a strong record as well. But even with a sound that was speaking to people, one that perhaps would have been a more pragmatic one as far as a career goes, Don Van Vliet just wasn’t meant for conventional norms.
The Captain had all these ideas, ideas far too out for many, including early members. He needed new musicians, younger and more impressionable ones that wouldn’t object to his ideas. Already having John and Jeff in the band, now 'Drumbo' and Antennae Jimmy Semens, he then recruited Bill, dubbed Zoot Horn Rollo. And on bass, he found Mark Boston, who took the name Rockette Morton due to his love of outer space. And the classic Magic Band was born.
Trout Mask Replica (TMR) wasn’t an easy album to make. Yet even with all the bizarre ideas and the difficulty in preparing those ideas into music, Mark was a total champ through it all. The Beefheart sound is one of great dichotomy, and Mark can capture all of it. He’s so tight and precise, and yet there’s this raw grit and dirt. He’s highly intelligent and sophisticated in his playing, and yet there remains this childlike sense of wonder and curiosity.
He takes after all the great traditional American music, yet out into a whole other realm of time and space. The bass traditionally serves the role of grounding the harmony while locking in with the drums to provide a foundation, yet Mark’s playing often serves as another melody line in the music. In a lot of ways, he’s like a third guitarist that just happens to be playing bass.
The TMR on its own is a legacy few can compete with, and yet Mark contributed to more classic records like "Lick My Decals Off, Baby", "The Spotlight Kid", and "Clear Spot". There on Decals, you get the equivalent of Godfather II. With Mother Art Tripp on marimba and drums rather Jeff on guitar, you get an album that captures a great deal of TMR's brilliance while being brilliant in its own unique way.
Then you get to 'The Spotlight Kid', with bass godliness on cuts like “When It Blows Its Stack”, resulting in a bass solo that often opened shows, yet Mark proves himself just as talented on traditional in-the-pocket styles as demonstrated on cuts like “I’m Gonna Booglarize You Baby”. And that thing about bassists being failed guitarists? In the 'Clear Spot', with Mark taking guitar and the rhythm section now being a mini Mothers reunion of Art and Roy Estrada, yet nobody missed a beat. Throughout the record, Bill and Mark’s kinship really shines, their weaving right there with what Bill and Jeff had done, or what was done with Alex St Clair early on.
Of course, dealing with Don was quite a task of its own, so it’s inevitable that Mark and the others would all end up departing by 1974. He and Bill soon formed a group of their own called Mallard. For two albums, the first with Art and having some writing help from John French 'Drumbo', Mallard showed itself a pretty decent blues rock outfit. And giving that it was Mark who finally had a chance to create something that was truly his own rather than helping some achieve their vision, it’s understandably the work that he takes pride in. And over time, he’d end up making a solo record and create some cool artwork of his own, as well as performing with 'Drumbo' in the reformed Magic Band, allowing the music to live and breathe on stage again.
If you’re a Beefheart fan, how can you not love Rockette Morton? Not only a uniquely talented bass player but such a great stage presence full of joy, along with a lovably quirky personality and such a sweet guy. Easily one of my favorites from Magic Band members, you can’t help but smile when thinking about Mark. He’s been through some rough weather, including his health scares, and yet he’s still the same Mark we’ve known and loved all the years.
Happy birthday Mark! Thank you for all you have given us and look forward to more.
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Patrick Moore is a freehand drawing artist and freelance music writer.
By Subhash K Jha
BOLLYWOOD: From saying no to the unfaithful wife’s role in Sanjay Gupta’s Musafir to blissfully sinking her de-calcified teeth into the role of a woman who kills seven husbands and gets away with murder, to playing the warrior in Mary Kom and the warrior's wife in Bajirao Mastani, Priyanka Chopra has come a long way .
I remember director Sanjay Gupta was deeply offended when Priyanka had said no to Musafir. He thought it was a dream role for a relatively new heroine. But Priyanka thought the role was outside her comfort zone. The matter ended there.You can’t make Priyanka Chopra change her mind.
Sameera Reddy finally played the wanton wife who cheats on husband Mahesh Manjrekar when stranger Anil Kapoor (with streaked hair, the stranger couldn’t get any stranger) strays into town.
After seeing Musafir, I asked Priyanka why she said no to the role in the film.
``Did you see Mahesh Manjrekar saying, ‘Blouse khol’ to his wife?'' Priyanka retorted.
She didn’t sound shocked or scandalized, just amused.
We both burst out laughing.
It’s rare to find Priyanka making a politically incorrect statement even as a joke. Earlier on, I’d tease her about being the new Rani Mukherjee who always made sure she said the correct things.
“That’s good, na. Rani is so good at her job and so successful.”
[caption id="attachment_72003" align="alignnone" width="936"]
Priyanka Chopra as a cop.[/caption]
The comfort-zone is a place that Priyanka is very sure about. She won’t say no to a role because it requires body exposure. She carries off the micro-mini-est of dresses with panache because she’s confident that her legs talk. But she isn’t comfortable flaunting cleavage.
If the character says and wears things that seem odd, Priyanka would say no to it. And no amount of money would make her reverse her decision.
Priyanka is the most obdurate actress I’ve come across. She gives you a long rope as a journalist. But if she’s put off, she takes a long time to come around.
``Write what you want as long as it isn’t slanderous or damaging,'' she once told me. At that time, she was trying to make things work for her with Shahid Kapoor who had issues regarding her friendship with other men.
An article I wrote on Priyanka and Gerard Butler messed up things even more between Shahid and Priyanka. It took her a long time to get over that one. It messed up her plans for her heart.
Priyanka always has a game-plan which I suspect, is hidden away even from God.
In her early days in the film industry, Priyanka was not so sure of which way to go with her career. The hunger to excel was always there. In the mornings before shooting started for her first few films (The Hero with Sunny Deol, Andaaz with Akshay Kumar), she attended Kathak and yoga classes. That’s when she would call from her car.
``You don’t call me. You’ve bigger heroines to talk to,” she would say and laugh throatily. In that laughter was secreted the self-confidence that she too would make it big in no time at all.
Priyanka had set an actual time-frame for herself during which she was sure she would get to the top.
In those early days her father would often negotiate projects for Priyanka. J.P Dutta was casting for Umrao Jaan. Both Priyanka and her dad were very keen that she get the part. JP quietly signed Aishwarya Rai Bachchan. Not once did I hear Priyanka bitch or crib about the injustice of it all. And neither did she gloat when Umrao Jaan eventually turned out to be a fiasco.
Come to think of it, many parts that Priyanka has instinctively turned down or the ones that have been snatched away, have turned out to be turnips at the turnstiles.
I once told her she is blessed.
``Not blessed,'' she laughed throatily. ``I work hard. And I’ve a good judgement of what works for me.''
In all the time that I’ve known her, I’ve never heard Priyanka bitch about any of her competition. Not Aishwarya, Kareena….not even Katrina. It’s always others who have felt threatened by Priyanka.
``I think women and men see something predatory about me,'' she had languidly meowed to me.Before I could react she had burst out laughing.
The thing about Priyanka is, she is far more street-smart and far stronger than all her competitors. Kareena thinks with her heart. Priyanka doesn’t let her heart dictate her decisions. I’ve seen her go through the best and the worst of times. She remains firm on her ground, no matter how slippery it gets.
Unarguably, her worst time so far was when her father fell ill. On the day after she found out his condition, she was on the sets of Bluff Master shooting normally. No one had a clue about the turmoil she was going through.
In the evening when her co-star Abhishek Bachchan was on the phone with me I mentioned Priyanka’s pain to him. That was the first he heard of it.
``Why should I burden those around me with my pain?” she asked me. ``I’m sure they’ve their own worries.I’ve mine to deal with. I wouldn’t like it if they started unburdening their problems on me.''
Today, Priyanka has shaped into one of those actresses who are good at her job very successful and very very dependable. When a director signs her, he signs an all-rounder…with some delectable curves thrown in. Ask any filmmaker. He’ll tell you why he wants Priyanka for his film, regardless of the nature of the part.
The other day I was speaking to a director who was going through the list of actresses for his next film. ``I wanted Kareena for the part. But she has changed so much in appearance. The Kareena in Kambakht Ishq is not the same girl I loved in Refugee and Jab We met. She has…changed. As for the others, they are flush with good and bad points. But none qualifies as a complete package like Priyanka. Today she’s in a position to play any character. She loves challenges. And she’s physically and emotionally equipped to handle them.”
It hasn’t been easy getting here. When Priyanka and Lara Dutt came into the film industry simultaneously, it was Lara who was seen as the potential star. Priyanka raced ahead, not just because of her talent but impeccable PR. She has the ability to be naturally charming to people around her. Being Ms Congeniality is not a role for her. It’s part of her, just like being a good sister, a good daughter and a good girlfriend.
She doesn’t talk about her relationships, and there’s a reason for it. Ages ago before she became a star she was seeing Aseem Merchant. She moved on. People continued to refer to Aseem as ‘PC’s boyfriend’. Priyanka didn’t want Harman Baweja to go through the same humiliation.
Priyanka is the female Shah Rukh Khan, and not only because she doesn’t get along with Salman Khan. Like SRK,PC genuinely believes she is in competition only with herself.Each time signs on to endorse a brand she checks to see herself in the mirror,and not the zeroes on the cheque.With success she has transformed physically.Her legs are longer.Her cheekbones are sharper.Her nose is more aquiline and her teeth whiter.
But inside her she remains the same. While a Ranveer Singh or for that matter Ranbir Kapoor changed with success, Priyanka remains the same.
It hasn’t been easy getting here. I don’t know whether she knows this (and I’ve never told her). But one of her co-stars secretly referred to her as ‘Dark Side Of The Moon’. He would often make fun of how she looked without make-up.
Yup, things have changed. With or without make-up, Priyanka lights up the screen the way Shabana Azmi did 25 years ago. After seeing her in her latest film, Gulzar said, “She looks beautiful even when she grows old in the film.”
In real life too, Priyanka would be comfortable with wrinkles and grey hair. She doesn’t shy away from peeping into the dark side of the moon. She isn’t fearful of ugliness. Not as an actor. Not as an individual. She has yet to learn how to bitch about her co-stars. But what the heck! No one is perfect.
Not even Priyanka Chopra.
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abc: if she is politically correct why will she bitch in front of u or anyone ? street smart is the only credential that has taken her where she is as it does in any profession. 
