Peter's music has been heard on hundreds of radio stations and has been on SiriusXM rotation for over a decade. As a multi-award winning artist, Peter's music has also topped Billboard's Classical and Crossover charts.
For Captain Beefheart, a maverick-artist-musician, who was not just a complicated man but highly demanding and by most accounts very difficult to deal with. It was appropriate that Beefheart's Magic Band was to prominently feature a bassist as accomplished, bold and adventurous as Mark Boston, a.k.a Rockette Morton.
Born on July 14, 1949, Mark began life in the small town of Salem, Illinois before his family moved out to Lancaster, California when he was 13. With a bassist and steel player for a father, Mark gained a great appreciation for country and bluegrass along with the R&B and rock’n’roll that was on the rise. Within a year of the Boston clan moving out to Lancaster, Mark befriended a young guitarist by the name of Bill Harkleroad.
At a time when the bass guitar was seen as the dummy’s instrument, Mark left quite an impression on Bill with his talent and equipment, leading to the two joining forces to form BC And The Cavemen. With Mark’s mother sewing some outfits for them, the band developed a decent reputation, and the two would also play in a band with Jeff Cotton and John French known as Blues In A Bottle. And then a local hero came calling. Or perhaps screaming and howling!
In that same Lancaster scene, Captain Beefheart And His Magic Band were making a big splash as a top flight blues rock outfit, with 'Safe As Milk' having made a strong impression and 'Strictly Personal' being a strong record as well. But even with a sound that was speaking to people, one that perhaps would have been a more pragmatic one as far as a career goes, Don Van Vliet just wasn’t meant for conventional norms.
The Captain had all these ideas, ideas far too out for many, including early members. He needed new musicians, younger and more impressionable ones that wouldn’t object to his ideas. Already having John and Jeff in the band, now 'Drumbo' and Antennae Jimmy Semens, he then recruited Bill, dubbed Zoot Horn Rollo. And on bass, he found Mark Boston, who took the name Rockette Morton due to his love of outer space. And the classic Magic Band was born.
Trout Mask Replica (TMR) wasn’t an easy album to make. Yet even with all the bizarre ideas and the difficulty in preparing those ideas into music, Mark was a total champ through it all. The Beefheart sound is one of great dichotomy, and Mark can capture all of it. He’s so tight and precise, and yet there’s this raw grit and dirt. He’s highly intelligent and sophisticated in his playing, and yet there remains this childlike sense of wonder and curiosity.
He takes after all the great traditional American music, yet out into a whole other realm of time and space. The bass traditionally serves the role of grounding the harmony while locking in with the drums to provide a foundation, yet Mark’s playing often serves as another melody line in the music. In a lot of ways, he’s like a third guitarist that just happens to be playing bass.
The TMR on its own is a legacy few can compete with, and yet Mark contributed to more classic records like "Lick My Decals Off, Baby", "The Spotlight Kid", and "Clear Spot". There on Decals, you get the equivalent of Godfather II. With Mother Art Tripp on marimba and drums rather Jeff on guitar, you get an album that captures a great deal of TMR's brilliance while being brilliant in its own unique way.
Then you get to 'The Spotlight Kid', with bass godliness on cuts like “When It Blows Its Stack”, resulting in a bass solo that often opened shows, yet Mark proves himself just as talented on traditional in-the-pocket styles as demonstrated on cuts like “I’m Gonna Booglarize You Baby”. And that thing about bassists being failed guitarists? In the 'Clear Spot', with Mark taking guitar and the rhythm section now being a mini Mothers reunion of Art and Roy Estrada, yet nobody missed a beat. Throughout the record, Bill and Mark’s kinship really shines, their weaving right there with what Bill and Jeff had done, or what was done with Alex St Clair early on.
Of course, dealing with Don was quite a task of its own, so it’s inevitable that Mark and the others would all end up departing by 1974. He and Bill soon formed a group of their own called Mallard. For two albums, the first with Art and having some writing help from John French 'Drumbo', Mallard showed itself a pretty decent blues rock outfit. And giving that it was Mark who finally had a chance to create something that was truly his own rather than helping some achieve their vision, it’s understandably the work that he takes pride in. And over time, he’d end up making a solo record and create some cool artwork of his own, as well as performing with 'Drumbo' in the reformed Magic Band, allowing the music to live and breathe on stage again.
If you’re a Beefheart fan, how can you not love Rockette Morton? Not only a uniquely talented bass player but such a great stage presence full of joy, along with a lovably quirky personality and such a sweet guy. Easily one of my favorites from Magic Band members, you can’t help but smile when thinking about Mark. He’s been through some rough weather, including his health scares, and yet he’s still the same Mark we’ve known and loved all the years.
Happy birthday Mark! Thank you for all you have given us and look forward to more.
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Patrick Moore is a freehand drawing artist and freelance music writer.
Sarah Thomson says the host asked her if she would sleep with him.[/caption]
She added that Paikin had approached her ``several times'' since then. ``In the years since he’s approached me several times, usually at political functions, to suggest we `sleep together' and he always laughs about it.''
Whatever the truth in her allegations, one thing sounds very bizarre: why would a man propose sex to a woman in the presence of someone else, unless that man is a crazy nut?
In his response, Paikin has accused Sarah Thomson of defaming him, adding that he will fight to reclaim his reputation.
Here is the full facebook post from Steve Paikin:
``Okay, now it’s my turn.
This is my response, written by me, not a committee of lawyers or spin doctors at 4 o’clock this morning. Yes, I’ve had a bit of trouble sleeping since this all came to light. And this is my statement, not my employer’s.
This past Saturday afternoon, I received an email from Sarah Thomson. I’ve known Ms Thomson for almost a decade, having covered her municipal and provincial political campaigns and seen her at various political events over the years, although I don’t believe I’ve seen or had any contact from her in several years.
To say I was gobsmacked by the allegations in her email is the understatement of my life. Even though I knew the allegations were 100% false, I did what I suspected was the appropriate thing to do and immediately passed the email on to my superiors at TVO. I knew the charges were bogus but I knew I owed it to my employer to be totally transparent about all of it.
The next day, Sunday, I spent two hours with TVO management and its lawyers answering every imaginable question. And I was happy to do it. I wanted to convince them that there’s not a shred of truth to any of this. I also appreciate the times in which we live, and given the seriousness of the allegations, understood that TVO might have to take action to protect its reputation.
To my delight, TVO has left me in the anchor chair of The Agenda. I appreciate that vote of confidence.
They also did the right thing by calling in an independent third party to investigate this mess and I welcome that investigation. Bring it on! I have no doubt but that a thorough and fair analysis of the allegations and the parties involved will point to the truth. I look forward to all parties having their say.
I find so much about this story completely perplexing. I have interviewed probably 20,000 people over the course of my 35 years in journalism.
I’ve moderated six leaders’ debates for federal and provincial elections --- presumably a sign that during key moments in our country’s history, the people seeking the highest offices in our land think I’m impartial and respectable.
The #MeToo movement is too important to be undermined by spurious allegations. The only good thing about this has been receiving the huge number of emails and phone calls from people who believe me, and are prepared to say so publicly.
I’ve spent 35 years building my reputation. In one fell swoop, these lies have prompted outrageous headlines and connected me to a story to which I have no business being connected.
Well, all that ends today. Today, I begin to reclaim my reputation and fight back against these scurrilous allegations.
I mean no harm to Sarah Thomson. But Sarah, you and I both know the incident you described never happened. It’s complete fiction. To be clear, I did not have sex, suggest, request, imply, or joke about having sex with you.
Sadly, in this day and age, too many people are going to believe the lie, especially when it comes to this subject. I am mortified that in many peoples’ eyes, I have lost the presumption of innocence that I’ve previously enjoyed. But I did not do these things. There is simply no truth to these allegations.
You’ve defamed me Sarah. I have no idea why, but you have. And I simply can’t allow that to stand. The quest to reclaim my reputation, which you’ve tried to destroy, begins now. I look forward to vindication.''
