Peter's music has been heard on hundreds of radio stations and has been on SiriusXM rotation for over a decade. As a multi-award winning artist, Peter's music has also topped Billboard's Classical and Crossover charts.
For Captain Beefheart, a maverick-artist-musician, who was not just a complicated man but highly demanding and by most accounts very difficult to deal with. It was appropriate that Beefheart's Magic Band was to prominently feature a bassist as accomplished, bold and adventurous as Mark Boston, a.k.a Rockette Morton.
Born on July 14, 1949, Mark began life in the small town of Salem, Illinois before his family moved out to Lancaster, California when he was 13. With a bassist and steel player for a father, Mark gained a great appreciation for country and bluegrass along with the R&B and rock’n’roll that was on the rise. Within a year of the Boston clan moving out to Lancaster, Mark befriended a young guitarist by the name of Bill Harkleroad.
At a time when the bass guitar was seen as the dummy’s instrument, Mark left quite an impression on Bill with his talent and equipment, leading to the two joining forces to form BC And The Cavemen. With Mark’s mother sewing some outfits for them, the band developed a decent reputation, and the two would also play in a band with Jeff Cotton and John French known as Blues In A Bottle. And then a local hero came calling. Or perhaps screaming and howling!
In that same Lancaster scene, Captain Beefheart And His Magic Band were making a big splash as a top flight blues rock outfit, with 'Safe As Milk' having made a strong impression and 'Strictly Personal' being a strong record as well. But even with a sound that was speaking to people, one that perhaps would have been a more pragmatic one as far as a career goes, Don Van Vliet just wasn’t meant for conventional norms.
The Captain had all these ideas, ideas far too out for many, including early members. He needed new musicians, younger and more impressionable ones that wouldn’t object to his ideas. Already having John and Jeff in the band, now 'Drumbo' and Antennae Jimmy Semens, he then recruited Bill, dubbed Zoot Horn Rollo. And on bass, he found Mark Boston, who took the name Rockette Morton due to his love of outer space. And the classic Magic Band was born.
Trout Mask Replica (TMR) wasn’t an easy album to make. Yet even with all the bizarre ideas and the difficulty in preparing those ideas into music, Mark was a total champ through it all. The Beefheart sound is one of great dichotomy, and Mark can capture all of it. He’s so tight and precise, and yet there’s this raw grit and dirt. He’s highly intelligent and sophisticated in his playing, and yet there remains this childlike sense of wonder and curiosity.
He takes after all the great traditional American music, yet out into a whole other realm of time and space. The bass traditionally serves the role of grounding the harmony while locking in with the drums to provide a foundation, yet Mark’s playing often serves as another melody line in the music. In a lot of ways, he’s like a third guitarist that just happens to be playing bass.
The TMR on its own is a legacy few can compete with, and yet Mark contributed to more classic records like "Lick My Decals Off, Baby", "The Spotlight Kid", and "Clear Spot". There on Decals, you get the equivalent of Godfather II. With Mother Art Tripp on marimba and drums rather Jeff on guitar, you get an album that captures a great deal of TMR's brilliance while being brilliant in its own unique way.
Then you get to 'The Spotlight Kid', with bass godliness on cuts like “When It Blows Its Stack”, resulting in a bass solo that often opened shows, yet Mark proves himself just as talented on traditional in-the-pocket styles as demonstrated on cuts like “I’m Gonna Booglarize You Baby”. And that thing about bassists being failed guitarists? In the 'Clear Spot', with Mark taking guitar and the rhythm section now being a mini Mothers reunion of Art and Roy Estrada, yet nobody missed a beat. Throughout the record, Bill and Mark’s kinship really shines, their weaving right there with what Bill and Jeff had done, or what was done with Alex St Clair early on.
Of course, dealing with Don was quite a task of its own, so it’s inevitable that Mark and the others would all end up departing by 1974. He and Bill soon formed a group of their own called Mallard. For two albums, the first with Art and having some writing help from John French 'Drumbo', Mallard showed itself a pretty decent blues rock outfit. And giving that it was Mark who finally had a chance to create something that was truly his own rather than helping some achieve their vision, it’s understandably the work that he takes pride in. And over time, he’d end up making a solo record and create some cool artwork of his own, as well as performing with 'Drumbo' in the reformed Magic Band, allowing the music to live and breathe on stage again.
If you’re a Beefheart fan, how can you not love Rockette Morton? Not only a uniquely talented bass player but such a great stage presence full of joy, along with a lovably quirky personality and such a sweet guy. Easily one of my favorites from Magic Band members, you can’t help but smile when thinking about Mark. He’s been through some rough weather, including his health scares, and yet he’s still the same Mark we’ve known and loved all the years.
Happy birthday Mark! Thank you for all you have given us and look forward to more.
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Patrick Moore is a freehand drawing artist and freelance music writer.
The Canadian Bazaar
TORONTO: The controversy created by the invitation to former convicted terrorist Jaspal Atwal for Prime Minister Justin Trudeau’s dinner in Delhi last week has created a storm in Canadian politics, with the opposition moving a motion to support India’s unity and condemn Khalistani separatists.
The issue snowballed into a major issue in Canada’s parliament on Tuesday after Trudeau’s national security advisor alleged that the invitation to Atwal was arranged by some elements in the Indian government to sabotage Trudeau’s India visit.
With India rejecting the allegations as ``baseless and unacceptable,’’ the opposition Conservative Party on Wednesday asked Trudeau to respond to India’s rebuttal.
Trudeau defended the allegations against India by his national security advisor, saying, "When one of our top diplomats and security officials says something to Canadians, it is because they know it to be true."
Calling the allegations against India `bizarre,’ Opposition Conservative Party leader Andrew Scheer asked Trudeau, ``Will the Prime Minister produce some kind of proof for his conspiracy theory?’’
The Opposition party is moving a motion in parliament on Thursday to condemn Khalistani extremism and pledge support to India’s unity.
The motion says: ``That the House:
(a) values the contributions of Canadian Sikhs and Canadians of Indian origin in our national life; (b) condemn in the strongest terms all forms of terrorism, including Khalistani extremism and the glorification of any individuals who have committed acts of violence to advance the cause of an independent Khalistani state in India; and (c) stand with a united India. ‘’
It will be interesting to see how Trudeau and many Sikh MPs of his party respond to the motion.
The Atwal controversy marred Trudeau’s visit to India. A former member of the banned International Sikh Youth Federation, Surrey-based Atwal spent years in jail in connection with the 1986 assassination attempt on then Punjab minister Malkit Singh Sidhu during his visit to Canada. He was also involved in attack on Ujjal Dosanjh in 1985 in Vancouver.
Atwal, whose picture with Trudeau’s wife in Mumbai, led to the controversy and cancellation of his invitation for dinner with Trudeau in Delhi, was on India’s blacklist for many years.
Trudeau has said that he doesn’t know Atwal. But Atwal has told the Canadian Press that he has known Trudeau for many years.
``We know each other. He (Trudeau) knows my name, he’ll come and say, ‘Hey Jas, how you doing?’ We have a good relationship I never see any problem. But now he says, ‘Oh Jaspal’s not supposed to be here, this and that.’ It surprised me.”
