Peter's music has been heard on hundreds of radio stations and has been on SiriusXM rotation for over a decade. As a multi-award winning artist, Peter's music has also topped Billboard's Classical and Crossover charts.
For Captain Beefheart, a maverick-artist-musician, who was not just a complicated man but highly demanding and by most accounts very difficult to deal with. It was appropriate that Beefheart's Magic Band was to prominently feature a bassist as accomplished, bold and adventurous as Mark Boston, a.k.a Rockette Morton.
Born on July 14, 1949, Mark began life in the small town of Salem, Illinois before his family moved out to Lancaster, California when he was 13. With a bassist and steel player for a father, Mark gained a great appreciation for country and bluegrass along with the R&B and rock’n’roll that was on the rise. Within a year of the Boston clan moving out to Lancaster, Mark befriended a young guitarist by the name of Bill Harkleroad.
At a time when the bass guitar was seen as the dummy’s instrument, Mark left quite an impression on Bill with his talent and equipment, leading to the two joining forces to form BC And The Cavemen. With Mark’s mother sewing some outfits for them, the band developed a decent reputation, and the two would also play in a band with Jeff Cotton and John French known as Blues In A Bottle. And then a local hero came calling. Or perhaps screaming and howling!
In that same Lancaster scene, Captain Beefheart And His Magic Band were making a big splash as a top flight blues rock outfit, with 'Safe As Milk' having made a strong impression and 'Strictly Personal' being a strong record as well. But even with a sound that was speaking to people, one that perhaps would have been a more pragmatic one as far as a career goes, Don Van Vliet just wasn’t meant for conventional norms.
The Captain had all these ideas, ideas far too out for many, including early members. He needed new musicians, younger and more impressionable ones that wouldn’t object to his ideas. Already having John and Jeff in the band, now 'Drumbo' and Antennae Jimmy Semens, he then recruited Bill, dubbed Zoot Horn Rollo. And on bass, he found Mark Boston, who took the name Rockette Morton due to his love of outer space. And the classic Magic Band was born.
Trout Mask Replica (TMR) wasn’t an easy album to make. Yet even with all the bizarre ideas and the difficulty in preparing those ideas into music, Mark was a total champ through it all. The Beefheart sound is one of great dichotomy, and Mark can capture all of it. He’s so tight and precise, and yet there’s this raw grit and dirt. He’s highly intelligent and sophisticated in his playing, and yet there remains this childlike sense of wonder and curiosity.
He takes after all the great traditional American music, yet out into a whole other realm of time and space. The bass traditionally serves the role of grounding the harmony while locking in with the drums to provide a foundation, yet Mark’s playing often serves as another melody line in the music. In a lot of ways, he’s like a third guitarist that just happens to be playing bass.
The TMR on its own is a legacy few can compete with, and yet Mark contributed to more classic records like "Lick My Decals Off, Baby", "The Spotlight Kid", and "Clear Spot". There on Decals, you get the equivalent of Godfather II. With Mother Art Tripp on marimba and drums rather Jeff on guitar, you get an album that captures a great deal of TMR's brilliance while being brilliant in its own unique way.
Then you get to 'The Spotlight Kid', with bass godliness on cuts like “When It Blows Its Stack”, resulting in a bass solo that often opened shows, yet Mark proves himself just as talented on traditional in-the-pocket styles as demonstrated on cuts like “I’m Gonna Booglarize You Baby”. And that thing about bassists being failed guitarists? In the 'Clear Spot', with Mark taking guitar and the rhythm section now being a mini Mothers reunion of Art and Roy Estrada, yet nobody missed a beat. Throughout the record, Bill and Mark’s kinship really shines, their weaving right there with what Bill and Jeff had done, or what was done with Alex St Clair early on.
Of course, dealing with Don was quite a task of its own, so it’s inevitable that Mark and the others would all end up departing by 1974. He and Bill soon formed a group of their own called Mallard. For two albums, the first with Art and having some writing help from John French 'Drumbo', Mallard showed itself a pretty decent blues rock outfit. And giving that it was Mark who finally had a chance to create something that was truly his own rather than helping some achieve their vision, it’s understandably the work that he takes pride in. And over time, he’d end up making a solo record and create some cool artwork of his own, as well as performing with 'Drumbo' in the reformed Magic Band, allowing the music to live and breathe on stage again.
If you’re a Beefheart fan, how can you not love Rockette Morton? Not only a uniquely talented bass player but such a great stage presence full of joy, along with a lovably quirky personality and such a sweet guy. Easily one of my favorites from Magic Band members, you can’t help but smile when thinking about Mark. He’s been through some rough weather, including his health scares, and yet he’s still the same Mark we’ve known and loved all the years.
Happy birthday Mark! Thank you for all you have given us and look forward to more.
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Patrick Moore is a freehand drawing artist and freelance music writer.
UK man claims he is illegitimate son of Queen’s sister
By admin 08 Feb 2021
LONDON: A man who claims to be illegitimate son of Queen Elizabeth’s sister Princess Margaret yesterday won a significant legal victory in his battle to see the contents of her will.
Jersey accountant Robert Brown, 58, who also wants to see the Queen Mother’s will, is seeking to prove he is Margaret’s secret child and that she hid the pregnancy.
The Queen’s sister died in February 2002 and her mother the following month. The wills were drawn up around the time of Margaret’s death and were ‘sealed’ to keep their contents secret.
Yesterday Mr Brown was granted permission to seek judicial review of a refusal to allow him access under the Freedom of Information Act to documents he claims show there was a ‘secret judicial process’ for sealing royal wills.
[caption id="attachment_88205" align="alignnone" width="640"] Princess Margaret.[/caption]
Mr Justice Phillips said at London’s High Court the case gave rise ‘to important points of principle and practice’ regarding open justice and the public interest.
Mr Brown’s quest to prise open the wills and prove his royal heritage goes back decades. He believes he was born to Princess Margaret in 1955 and his father was possibly Robin Douglas-Home, a Scottish aristocrat and author who died in 1968.
He claims the later stages of pregnancy were covered up using body doubles and that he was sent to Kenya to be brought up as the child of Cynthia and Douglas Brown.
He believes the documents he wants disclosed will reveal that Buckingham Palace, the Attorney General and a senior judge acted together to maintain secrecy around the Queen’s sister’s last testament, which, he hopes, contain details of his birth.
His claims were dismissed by lawyers for the Royal Family in a previous court hearing as those of ‘a fantasist seeking to feed his private obsession’. But he insists he has the right to find out if the Queen’s sister was his mother.
Records show Mr Brown was born on January 5, 1955, in the Kenyan capital Nairobi, but his birth was not registered until February 2. He believes it is significant that a Privy Council meeting was held on the day he was born. Later that year Princess Margaret called off her wedding to Peter Townsend.
His parents, now dead, are registered as Cynthia and Douglas Brown. He claims Cynthia was a model working for Hardy Amies, a favoured designer of the Princess. Mr Brown has previously told the Guardian the couple were distant compared with how they treated his supposed siblings. He added that as a child his birthday would sometimes be forgotten.
He came to the High Court to seek disclosure of Margaret’s will in 2006 and 2007 when Sir Mark Porter, president of the Family Division, said it was an ‘imaginary and baseless claim’.
Mr Brown lost but has returned to the battle under freedom of information laws. He argues there was ‘a secret agreement between the Palace and Attorney General as to how the court should approach the exercise of its judicial discretion as to whether or not to seal a particular royal will’.
He asserts that Dame Elizabeth Butler-Sloss, then president of the High Court Family Division, approved the contents of the agreement as ‘constituting the applicable guidance of the judiciary on the practice and procedure to be applied in the context of an application to have a royal will sealed’.
But the guidance was never made available for public scrutiny, raising questions over whether it is unlawful and constitutional, says Mr Brown.
His attempts to seek disclosure of the guidance were previously ruled out on the grounds that the disputed information fell into the category of ‘royal correspondence’ and was exempt from inspection under freedom of information laws.
But yesterday Mr Justice Phillips ruled that Mr Brown’s case was ‘arguable’ and should go to a full hearing.
Mr Brown said later: ‘I am absolutely delighted. It is an important day for the fundamental principles of open justice and the rule of law. Historically it has been very clear that the monarchy should not have secret communications with the court.’
Of his claim to royal parentage, he said: ‘Hopefully I am not a nutcase. I am either right or I am wrong.’ (Courtesy Daily Mail)
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